Top Ten Tuesday is a weekly meme hosted by The Broke and the Bookish.
Anyone can participate and its a lot of fun, so I highly encourage it!
Let me know if you’re a part too!
May 9: Ten Things On Our Reading Wishlist – things you want to see more of in books — tropes, a time period, a specific type of character, an issue tackled, a certain plot, etc. All those things that make you think I WANT MORE OF THIS IN BOOKS!
1 – Involved Parents
Something that happens in virtually every YA novel, no matter the genre. The parents are absent. In fantasy, this generally means dead or conspicuously missing. In contemporary, this means their existence is ignored until the main character is grounded to create drama.
Kids go where they want, when they want, never seem to go home or get caught doing stupid things. Parents just aren’t involved in their kids lives and while unfortunately that is the reality for some kids, it certainly isn’t the most common reality.
The only YA books I’ve seen where the parents role an important role, are ones why the parents are terrible – and if thats the focus of the book you’re writing, if thats the story. Then perfect! All is well!
But don’t make your protagonist a well-rounded character with a good home life, with parents who never talk to them. And not every fantasy heroine needs to be an orphan. Let them have families!
2 – Protagonists That Don’t Live Up To Western Beauty Standards (Where That Isn’t The Focus Of The Plot)
Every YA protagonist is beautiful, and they either KNOW IT or think themselves as plain until a love interest expounds on their beauty. But generally, they are always thin, pale etc. Always adhering to western beauty conventions.
Give me different races and ethnicities. Give me different fashions. Give me unique hair and eyes – or very,very generic ones.
Give me ugly protagonists, protagonists with disabilities and scars. Acne. Different body types. Like a real person, like a real teenager, the ones the protagonists are meant to be embodying – in stories why their looks aren’t the focus.
Why can’t a chubby girl star in a fantasy? Because she’s only ever in contemporaries angst-ing about her weight – like in “Dumplin'” – the entire arc is her accepting her body type. And its a great story, its a great message. That doesn’t mean it should be the only arc afforded to those character types. (Sorry, I got a little heated)
3 – Diverse Sexualities That Aren’t The Plot’s Focus
Diverse reading is a big topic now. And now is when more books featuring lesbian/gay/bisexual characters are coming out, with all sorts of different portrayals and representations. Which is great.
But overwhelmingly these characters star in contemporaries where their main, or even entire story arc revolves around their sexuality. Coming to terms with it, coming out, etc. If they are afforded a place in a fantasy, it is a side characters.
I’d like contemporaries and fantasies with non-straight protagonists whose sexualities aren’t the focus, you can be gay and still have a life not centered on it, you can be a part of another plot.
4 – Asexual Characters
Or any diverse sexuality really, but as I’m ace, I’d love to see more ace characters (especially with the awful erasure of Jughead in Riverdale making me want to stab things).
Here is a list of books with ace characters I found. – As you can see, its pretty sparse, and most of the time its not even explicitly stated. (That’s why I’m dying to get my hands on Tash Hearts Tolstoy).
5 – Books With No Romance
Virtually every YA book, be it contemporary, fantasy, sci-fi, or what have you is wither romance centered or has a romance sub-plot. Why?
Not everyone dates in high school. And almost no one finds their true love in high school. And honestly, in all that world saving, is a boyfriend your biggest concern?
Mind you, I love romances, I love the romance subplots. But do they need to be in every book? We can’t just have strong, complex friendships? Friends that live and die for one another? Complex character interactions not revolving about romance?
Is it just me? Because I’d like to see some books without romance.
6 – Redeemable/Complex Villains or Morally Grey Protagonists
I’ve mentioned before that I love the arc of a redeemable villain, because I love the complexity of those characters. Not all evil people are actually evil, and if they are, they often didn’t start out that way. I’d love to see more stories with villains who, even if they aren’t redeemed, have their convictions fully explored. Or even stories from the villain’s point of view – where we’re rooting for them (Think Dr. Horrible or Invader Zim type thing).
Give me unreliable narrators that keep me guessing on who to trust, on what to believe – not knowing who to root for to win.
Morally grey protagonists whose ends justify their means, or so they believe.
It’s more interesting than the generic good-to-the-bone arch-type protagonist every fantasy/action story gets these days.
7 – Retellings of Lesser Known Source Material
Adaptations and retellings are EVERYWHERE in YA. And I love them, love seeing new takes on old favorites. But you can only retell Cinderella and Beauty and the Beast so many times before it gets old.
Don Quixote would make a great YA retelling. Or what about Aesop’s fables? Or one of the less common Shakespeare plays like “Midnight Summer’s Dream” or “Twelfth Night” – all would make great retellings that people won’t know by heart before they’re even picked up.
8 – Magical Realism
I love magical realism, because I like cross-genre fiction. Like contemporary sci-fi. Theres a million different ways to combine things and it isn’t very common to do so.
I want dragons in the real world. Modern day witches. Superheroes going to high school. Soulmate stories. Love potions in chemistry class. Give me time travel.
If its a fanfiction trope, it probably falls under magical realism and I probably want it in YA.
9 – Diverse World Building In Fantasy
I love fantasy. But lately, a lot of fantasy world have begun to feel repetitive. Similar world/caste/magic systems, all mono-cultured.
I want new fantastic worlds. New mythologies and lands and magi systems.
Multiple systems and cultures within the same world.
Maybe a story with different factions having different views on who exactly IS the chosen one.
That would be new and interesting.
There are hundreds of cultures in human history to draw from – no need for the constant use of anglo-saxon culture – while I enjoy it, I also learn enough about it in school.
Give me ancient Greece or Meso-american inspired! Something!
10 – Subverting of Tropes
After a while, tropes get dull, especially when authors rely on the selling of the trope and rather than using it as a single aspect of the story, make it the entire story.
So I love the novels that subvert the tropes, as much as I may love some of them. Like “The Love Interest” which is basically satire of every YA love triangle there is. Or, “The Rest Of Us Just Live Here” which flips the entire “Chosen One” arc. I love that sort of thing.
Do you agree with my list?
Which do you want to see more of?
Are they any you disagree with?
Do you do TTT?
Let me know down in the comments and drop me a link if you do!