Throwback Thursday, where, essentially I post old writing samples, essays and short stories that I dig up from my pile of hoarded papers and school assignments or from the depths of my computer. So everyone can see how my writing has changed/improved over the years.
Each of our protagonists are considered the heroes of their stories, though they had similar aims of making their worlds better, and very different methods of achieving their goals (with varying degrees of success), they are all none the less the heroes of their respective stories. However, the heroes are not heroes without their followers. None of the heroes we see in the following novels attained that heroism by standing alone, because they are too easily shunned or dismissed that way. If they stand with others, they are not so easily ignored, and can more likely “enlighten” others or otherwise attain their goal. According to Plato’s definition, enlightenment is achieved by sharing your acquired wisdom with others, to do this, V from V for Vendetta, Harrison from “Harrison Bergeron”, and Jonas from The Giver all need their followers in order to become heroes.
Hero has several definitions with different connotations. Ranging from “the chief main character…” to “a man greatly admired” or “a legendary warrior of great strength”. We can fit some form of this definition to each of our protagonists. Showing they are heroes in terms of the works in which they appear.
Take V from V for Vendetta by Alan Moore for example. He is perhaps a controversial hero, but for his story, he is the hero. He achieves his goals, despite his death, but he only achieves them vicariously through Evey. Without his training and manipulation of Evey his plan of overthrowing the government would not have worked. He needed people on his side, to understand his ideals in order for them to come to life. He is the original “enlightened man” in V for Vendetta, and he becomes “truly enlightened” as per Plato’s definition when he begins to share the art, music, and literature he has saved from destruction. Without Evey, he is a terrorist, trying to change the world for the worst. With her, more citizens are swayed to his view, and despite perhaps being a tragic hero through his death; he becomes a hero nonetheless.
We see this similarly in The Giver by Lois Lowry. Jonas becomes the Receiver of Memory, and with this title becomes “special”, this is of course, a classic hallmark of a hero. But Jonas does not become a hero simply through this. It is The Giver and Gabe that make him a hero from his potential to be one. He gets the memories, as well as strength to carry out his plan from The Giver. The Council assigns him his role as the Receiver. And ultimately, it is the memory of love, The Giver’s love for Jonas, and Jonas’s similar love for Gabe that incites his heroism, stealing himself to make a change, to bring the memories back, all in order to save Gabe’s life. Without Gabe, the entire course of the story is changed. Jonas would not have left the community, or at the very least he would have left much later. Jonas becomes a hero when he decides to make a change for what he believes is the better, and without Gabe, he never would have made the choice at all, for there would have been no choice to make.
Then there are those like the Unknown Citizen, who is not, by any definition of the word, a hero. He stands alone, and does as he is told, and dies without being known. Had he died for a cause, for his cause, he’d have been a tragic hero, much like Harrison Bergeron, but he did not have a cause, or a conflict to solve, or a person to save. He was not special in anyway. He stood alone, and was in no way a hero for his world. And that is exactly the point the poem made. Heroes are known, remembered, praised. And the Unknown Citizen was praised by the government for not trying to be a hero, and his thanks was his name already forgotten.
Heroes need others in order to be heroes. To act as foils to make them better. To incite the heroism they have the potential for. To start the support, because there is power in numbers and multiple voices are harder to ignore. Heroes need others because they are by nature constructed by others, they must be seen as heroes to be heroes. Heroes without others aren’t heroes, they simply are.